Cannes Classics 2022

De Sica’s lesser known post-war film is just as moving in its attention to realism.

The inexplicable charm of Pietro Marcello’s new film presents itself in a curlicued elegance.

The sins of the Philippines come back to haunt both film and country.

Colonization reveals itself in Cannes.

Families fall apart in these Cannes films.

Russian filmmaker Kirill Serebrennikov does not deliver on the hype for his presence at Cannes.